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INSCRIPTION to deliver over $200,000 in prizes
Written by Marcus West   
Sunday, 27 January 2008

Is there another Lantana or Muriel’s Wedding out there on someone’s laptop just waiting to be discovered? Could the next David Williamson be sitting on his version of The Removalists? INSCRIPTION wants to find them, reward them and get them on the stage and screen. On Australia Day, INSCRIPTION launches one of the country’s richest prize pools for film, television and play scripts to support the next generation of talented Australian writers.

Inscription Application Form

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Hollywood Screenwriting Guru in Sydney
Written by Marcus West   
Saturday, 26 January 2008
ImageDuring May, Michael Hauge joins Francesca Smith (playwriting) and Peter Neale (TV writing) at our Inscription Preliminary Development Workshops.  Shortlisted writers from the 2007 biennial awards have been offered the chance to workshop their scripts with these leading teachers in the lead-up to submissions on October 31st 2008.  Hauge has an illustrious series of credits in script development and has worked with some of Hollywood's leading screenwriters.  His biggest plus is helping screenwriters build the commercial lustre of their work; to help them pitch their ideas to studio executives.
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Writing Comedy That Works.
Written by Hilary Bell   
Saturday, 26 January 2008
In August, Inscription sent me along to Steve Kaplan's Comedy Intensive, in order to write this article. I'm not a comedy writer per se, but was intrigued by the implicit offer of the workshop: Do the intensive, and you'll come out funnier – or at least, your scripts will.

Steve Kaplan is a Los Angeles-based comedy expert. He is responsible for creating the HBO Workspace, the HBO New Writers Program, and was co-founder and Artistic Director of Manhattan's Punch Line Theatre. The star-studded credits of his former students include 'Ugly Betty', 'Hairspray', 'Friends', 'Sex and the City', 'Will and Grace' and 'Saturday Night Live'. He teaches this Intensive on a regular basis, around the US and internationally.

It's naïve to think that comedy just 'happens', that it's all about inspiration or native wit – as simplistic as overlooking the craft involved in any art-form. But I wasn't prepared for the almost scientific approach to the creation of successful comic writing – the vivisection of The Joke; the chemical reactions caused by combinations of character types. Nothing can replace inspired comedy, of course, which defies and transcends rules. Tools are only to be used when something's broken, and you certainly don't set out to use every one of them when writing a scene. But the information with which Kaplan furnished us enables any writer to work out why a character might not be working, where a premise is flawed, how to sharpen a scene, and indeed, how to generate ideas.

Kaplan emphatically stated that one should always begin writing by trusting one's instincts. He is not in favour of formulae and rules, though believes in the usefulness of knowing what they are. What follows is not a how-to manual, but a map for when one gets lost, a set of practical applications that have been proven to work.
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Macquarie DEST Youth Award
Written by Marcus West   
Tuesday, 18 September 2007

ImageThe Australian Government Department of Education, Science and Training (DEST) has renewed its sponsorship and support of Inscription's Youth Scriptwriting Scheme in 2007/8. The youth category involves writers and performing artists up to and including the age of 27. Each year, Inscription is increasing the variety of opportunities afforded to young writers including our panel of artists, preliminary development workshops, mentorships and the coveted biennial award for excellence.

This new script development drive and nurturing of young Australian scriptwriters is jointly supported by Macquarie Bank and DEST. Macquarie Bank Investment Banking supremo, Nicholas Moore, states that "Macquarie is delighted to assist in the development of young Australian talent."  The Macquarie DEST Youth Award in 2007 was won by Nick Simpson-Deeks (pictured here with Nicholas Moore) for his TV pilot, JUKEBOX BOYS. This script is currently being reviewed by a number of Australian free-to-air network drama departments. Watch this space to see the progress of this exciting new Australian story about trials and tribulations of group of Gererations Y-ers set in the beach-side Sydney suburb of Maroubra.

 
Simon Kinny-Lewis
Written by Marcus West   
Saturday, 27 October 2007
ImageInscription's focus is, of course, on the development of new Australian stories. In a new direction, we are supporting a talented young Sydney musician. Simon Kinny-Lewis & his band is playing bars in Bondi. Watch this space for details of their gigs over summer. Simon himself is a stunning blues guitarist and the music has a strongly contemporary and soulful feel. Click here to download 'Open Up The Letter' from his new album "Higher Heaven".
 
Story Consultant
Written by Marcus West   
Saturday, 27 October 2007

ImageKarel Segers, director of Ozzywood and story consultant has joined forces with Inscription to help promote new opportunities for our stable screenplay writers. Ozzywood Films was founded by Segers, an independent screen producer and story consultant who has a strong focus on development.

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Sydney Theatre Showcase
Written by Marcus West   
Tuesday, 04 September 2007

ImageOn the last day of the workshops - as a culmination to the four weeks of intensive workshopping with Scott Williams and Stephen Jeffreys, a showcase of all seven winning scripts was held at The Richard Wherrett Studio at the Sydney Theatre in Walshe Bay.

Each play showed a ten minute scene and each film script had 3-4 minutes of footage to play for the audience. The audience was full of key industry folk keen to see whether or not any of the scripts could be worth "picking up." The writers were particularly chuffed to have so many stunning actors involved in performing their work.

 
Scott Williams interview at Sobo Restaurant
Written by Marcus West   
Tuesday, 04 September 2007

ImageOn August 20 2007 at SoBo Restaurant, a special evening was held to welcome, US Meisner coach, Scott Williams from the Impulse Company in London, to Sydney.  Williams's teaching provided a challenging and thought-provoking week for the actors and directors.

On this night, as part of the evening's entertainment, legendary Australian film actor, Chris Haywood interviewed, Scott Williams over his approach to working with actors and how best to uncover the actor's greatest tool, impulse.  You can hear the whole interview here.

 
Marcus West signs with the Seven Network
Written by Marcus West   
Tuesday, 04 September 2007

ImageAfter working across a broad spectrum of news, current affairs and lifestyle television programmes, Marcus West, Inscription's Director has recently signed an exclusive deal with the Seven Network to work with their on screen talent.  He will work in Sydney, Brisbane, Melbourne, Canberra, Adelaide, Perth and regional Queensland.

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Hilary Bell on Stephen Jeffreys
Written by Hilary Bell   
Tuesday, 04 September 2007

Image "The best writing is a combination of the intuitive and the ordered. Ideally, writing a play is like jazz: you improvise, but you know the chord changes." Stephen Jeffreys.

Thirteen years ago, as a young playwright, director Jim Sharman gave me this advice: At every opportunity, work with people who know more than you do. That's what I did over two weeks this past April with Stephen Jeffreys, who knows everything. More than knowledge, his love of the craft of dramatic writing is palpable and infectious. With extraordinary generosity and humour, with an eye to individual needs, and as a teacher consistently positive and constructive, he shared his experiences with seven fortunate writers – four playwrights and three screenwriters. The range of our work, in form as well as style, varied enormously. Yet Stephen was able to apply his intimate understanding of dramatic writing to each script equally. 

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The Green-Light

Three Million Dollars Funding

Greg Woodland, author of Inscription's film award winner, The Visitor, has recently received some wonderful news.  His script has been green-lighted for funding from the Film Finance Corporation of Australia.  Now that The Visitor is 60% funded, he and producers Tony Buckley and Tim Benjamin will work on finding the remaining 40% from a variety of public and private sources.  Greg will also direct the feature film which is set in rural NSW.  It is hoped shooting will start early in 2008.  This film award is proudly sponsored by Glenn Willis and Grange Securities, a Lehman Brothers Company.

Search

Every second year in June, there is a call for scripts. The scripts are judged by a panel of industry professionals and the six winning scriptwriters receive cash prizes and enter a development process.

Development

Previously know as Theatrelab, Inscription's Development phase is a series of tailored script development workshops involving leading Australian and international performing artists.

Product

In 2008, 12 months will be dedicated to sourcing finance and artistic partners for each new script. Generating exciting new productions for Australian stages and screens is Inscription's goal.

Training

Inscription Training works with a broad spectrum of clients in the corporate sector using theatrical principles to help them present with conviction. Watch this space for new programs.